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There is no archive or museum of human movement, no place where choreographies can be collected and conserved in pristine form. The central consequence of this is the incapacity of philosophy and aesthetics to think of dance as a positive and empirical art. In the eyes of philosophers, dance refers to a space other than art, considered both more frivolous and more fundamental than the artwork without ever quite attaining the status of a work. <em>Unworking Choreography</em> develops this idea and postulates an unworking as evidenced by a conspicuous absence of references to actual choreographic works within philosophical accounts of dance; the late development and partial dominance of the notion of the work in dance in contrast to other art forms such as painting, music, and theatre; the difficulties in identifying dance works given a lack of scores and an apparent resistance within the art form to the possibility of notation; and the questioning of ends of dance in contemporary practice and the relativisation of the very idea that dance artistic or choreographic processes aim at work production.
Unworking Choreography: The Notion of the Work in Dance (Oxford Studies in Dance Theory) Frédéric Pouillaude
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He has taught master classes and workshops in both modern and period dance at a variety of colleges and dance studios, contributed an essay to When Men Dance: Choreographing Masculinities Across Borders (Oxford University Press, 2009), and contributes book reviews to Dance Research JournalLiterary Cynics: Borges, Beckett, Coetzee by Arthur Rose (Bloomsbury Academic; 244 pages; $108)Discusses diplomatic marriage as a literary theme and tool of statecraft, as when peace is sealed through a marriage linking two warring parties.Animal Skins and the Reading Self in Medieval Latin and French Bestiaries by Sarah Kay (University of Chicago Press; 203 pages; $49)Focuses on Melissa McCarthy, Gabourey Sidibe, Peter Dinklage, Danny Trejo, Betty White, and Laverne Cox in a study of stars whose "non-normative celebrity bodies" act as sites of cultural contestation.FOLKLOREThe Pleasures of Metamorphosis: Japanese and English Fairy Tale Transformations of "The Little Mermaid" by Lucy Fraser (Wayne State University Press; 221 pages; $34.99)2009Manning, Erin and Brian MassumiManning, Erin2001Definitions of ArtTraces the history of preservation efforts, from such national parks as Gettysburg and Chickamauga to lesser-known sites.Citizens of Convenience: The Imperial Origins of American Nationhood on the U.S.-Canadian Border by Lawrence B.AWilliam Forsythe, Jrme Bel, Xavier Le Roy, Meg StuartHowever what she writes is not a composition of the movements and figures belonging to the vocabulary of the ballet
2004It is the task of the spectator to translate it in turn, to compose for himself the poem that the ballerina writes with her feetCarrie Noland Carrie Noland is Professor of French and Comparative Literature at the University of California, IrvinePhilosophy of DanceConsiders what are identified as three periods of aesthetic crisis in the work of the three writers; focuses on Borges's parables of the 1950s, Beckett's plays of the 1980s, and Coetzee's pedagoic novels of the 2000s.Mere Reading: The Poetics of Wonder in Modern American Novels by Lee Clark Mitchell (Bloomsbury Academic; 262 pages; $90 hardcover, $27.95 paperback)She has an MA in Dance Studies from the University of Surrey, where she was awarded with the annual Janet Lansdale Award for the best dissertation, and also holds a BA in Political Science from the University of Athens, and a Diploma in Dance PedagogyvonReturn to Top Questions or concerns about this article? Email usor submit a letter to the editorThree problems for philosophies of dance: 1Zervous research interests concern contemporary dance in Greece, during the current socio-political and economic crisisAssistant or Associate Professor in EntrepOther research areas include Leonard Bernsteins multitasking and identity management; the history and aesthetics of audiovisual synchronization; early Arnold Schoenberg; late Tina Turner; and the prehistory, history, and present of the music video, on which he is currently offering a course for Chicagos undergrads 2ffeafca65